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The Painter's Daughter Page 8
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“I suppose you will want a room to yourself. If you like, we can take Martha and Lyddie in with us for the night. How long do you plan to stay?”
Captain Overtree spoke up, the edge to his voice barely sheathed in civility. “You are all goodness, madam. But we don’t wish to put you to any trouble. We shall remove to an inn, if you prefer.”
“An inn? Good gracious, no. This is Sophie’s home. Or it was.”
Sophie said, “The girls may stay with us. We shall lay cushions and blankets on the floor. We don’t mind, do we, Captain?”
He glanced at her, his smile stiff. “Not at all.”
She turned away from his ironic gaze to address her father. “How goes the commission, Papa? Have you completed the portraits of the Miss Simons?”
He grimaced. “Not quite, my dear. I had hoped you would finish the backgrounds for me, but now . . . well. I am also struggling to capture the eldest Miss Simon. She is not as pretty as her sisters, unfortunately. I am trying to make her look as well as I can, while keeping it reasonably accurate.” He shrugged. “Though she is plain, the shape and brightness of her eyes gave her a certain comeliness. A liveliness, rather like the eyes of Lady Acland, if you recall.”
“Yes, I do. Shall I see what I can do, Papa? If you don’t like it, you can always paint over my changes.”
He seemed about to agree, but his wife frowned and said, “My dear Mr. Dupont, this is an important commission. I hardly think you ought to let Sophie anywhere near it. The background is one thing, but the face, surely . . .”
Her father chewed his lip. “Perhaps your stepmother is right, Sophie. Let’s not worry about it now. Tell us about your journey and the latest news of Lynmouth.”
They spoke for a few minutes, and then her father showed the captain his studio and offered him a glass of something, which the captain declined. Later, they sat down together to a meager dinner in the cool, starched company of her stepmother and her quiet father.
Soon after, Mrs. Dupont announced it was the girls’ bedtime. She clapped her hands, and the girls scurried off to clean their teeth and dress for bed. Sophie supposed it was their signal to retire for the night as well.
The small room, with its single bed, seemed even smaller with Captain Overtree’s large commanding presence in one corner, arms crossed, watching her every move as she laid cushions, lap rug, and wool blanket on the floor.
“Is this for your sisters’ comfort or for mine?”
“Which would you prefer?”
The housemaid came in to help Sophie with her buttons and stays. When Sophie asked her to step into the small dressing room—little larger than a closet—to do so, the woman looked at her askance. She had not been so modest before.
A few minutes later, when she stepped out in nightdress and dressing gown tied tight, the captain’s gaze swept over her without change in expression. He finished washing hands and face and cleaning his teeth at the washstand, then followed her example and stepped into the dressing room to change as she had.
Stephen wedged himself into the closet-sized room with his kit. He was glad Edgar had insisted on packing a nightshirt for him. Stephen didn’t usually bother with the long—and in his mind, effeminate—garment. After his years in the army, he’d become accustomed to sleeping bare-chested or in an untucked shirt and clean pair of breeches—ready to leap up and throw on his uniform coat at a moment’s notice. But considering he would be sharing the room with little girls, he would have to remember to thank the overeager footman who served as his valet.
The moments alone in the tiny room were a welcome respite. He was relieved to be out of the evil stepmother’s company. Poor Sophie. No wonder she went with her father to remote Devonshire whenever she could. Mrs. Dupont’s cold dark eyes and blunt features had put him in mind of her nephew, Maurice. The dozens of spiral curls circling her head? Of Medusa herself.
Perhaps he was being unkind. Weariness and hunger made him irritable. He was tired from the night before and still hungry after that skimpy meal. Seeing the dismissive, patronizing way that woman treated Sophie irritated him as well.
Her father seemed a mild man. Slender and handsome with fair thinning hair and a long aristocratic face, not unlike his daughter’s. He dressed well and wore a ring on his small finger. That affectation irritated Stephen too. He really should try to get some sleep. But he doubted he would manage it, in such close quarters with Sophie and her stepsisters. Three snoring officers? Not a problem. Three giggling females? Heaven help him.
He had just returned to the bedchamber when the little girls bounded inside, the eldest bouncing on her knees on the bed, and little Martha sitting atop the makeshift pallet on the floor.
“Where will you sleep, Captain?” Lyddie asked.
“Excellent question,” he replied.
“We always sleep with Sophie when she’s home. She tells the best stories. Don’t you, Sophie?”
He looked at her, brow quirked. “I should like to hear one of her stories.”
“Oh! Tell the one about the wolf and the sheep, Sophie. No! I know. The one where we are little lambs hiding in a cave.”
Martha jumped into the bed next to Sophie and nodded vigorously, smiling up at her in anticipation.
“Very well. Though the captain will think us very silly, no doubt.” Sophie tucked her feet under the bedclothes, a girl on either side. “Three little lambs were lost in the wood,” she began. “Suddenly they heard someone, or something, coming. ‘Quick. Let’s hide!’ the eldest lamb cried, and all three ducked into a nearby cave.”
Martha pulled the blanket over their heads.
Now Sophie’s voice came slightly muffled by wool. “Heavy paw treads approached. Oh no! Is it a wolf? Have we hidden in a wolf’s den?”
Stephen interrupted, “There hasn’t been a wolf in southern England for two hundred years . . .”
“A bear, then.”
Martha poked her head out. “You’re the bear. A big, hungry bear.”
“Don’t forget grumpy,” Lyddie added.
“A big, hungry, grumpy bear,” Sophie repeated.
He crossed his arms again. “Bears have been extinct here even longer.”
“You’re no fun.”
“So I have been told.”
“Shh . . . Don’t make a sound. Maybe he’ll pass by.”
“Now what sort of tactic is that to elude attack by a larger, stronger enemy?” Stephen asked, mock serious. “Hiding in silence or making little frightened peeps will not do. I say the three lambs must roar like lions, or French cavalrymen. And scare the hungry predator away.”
Lyddie and Martha obliged with their best roars.
“That’s better. Now I promise not to eat you.”
The door opened and Mrs. Dupont’s disapproving face appeared. “What, pray, is going on in here?”
Sophie lowered the blanket, looking—appropriately enough—sheepish.
“Sophie was just telling us a story,” Lyddie said. “The captain was a grumpy bear and tried to eat us, but we roared like French lions and chased him away.”
Mrs. Dupont frowned. “Well, do keep it down. Baby John is sleeping. And don’t keep the girls up all night, Sophie. Or I shall be the one left with grumpy children to contend with come morning.”
“Sorry.”
The door closed again.
“Well, girls, time to settle down,” Sophie said gently.
The little girls complied, nestling in bed together with Sophie.
Stephen stretched out on the cushions on the floor. The bright moon outside the window shone on Sophie in the middle, one arm protectively over little Martha. It caused a tender ache inside of him that he did not like. Such tender feelings would not help him. They would only make it more difficult to stay detached, to leave her, to focus on the task ahead.
He awoke sometime later, the room still moonlit. He glanced at the bed. The two little girls slept peacefully, but Sophie was not there. He frowned, worried she had taken
ill.
He rose, tied a dressing gown over his nightshirt, and slipped into his shoes. He let himself from the bedchamber and crept quietly downstairs and from room to room, looking for her. He did not find her in the drawing room or dining parlour and saw no light in the privy behind the house. Worry mounted. He turned the corner and saw candlelight seeping from a door left partially ajar. Her father’s studio. He should have guessed. He walked silently toward it and peeked inside.
There sat Sophie on a stool before an easel, surrounded by a half dozen candles and a wall sconce nearby. The female in the painting appeared to be the unfortunate Miss Simon with the troublesome eyes. A swath of fabric lay across a chair back, and Sophie glanced at it now and again as she painted the woman’s gown.
After a few minutes, she rose and began cleaning her brushes. Then she paused, rag and brush in hand and simply stood there, staring at the woman’s face. At her troublesome eyes, he guessed. He was no expert, but there did seem to be something unnatural about them. Would she ignore her stepmother’s edict and attempt to improve them anyway? She approached the easel, hesitated, and then turned away. Apparently not.
He inched open the door with a small creak. She gasped and whirled at the sound.
He held up a placating palm. “Sorry. I tried to be quiet and not startle you.”
She laid down the brush and rag, picked up a candlestick, and hurried to the door, forcing him to back from the threshold. She closed the door behind herself, clearly not wanting him to see her work.
“Was there something you wanted, Captain?” she asked, looking uneasy.
“I just wanted to make sure you were all right. I was concerned when I woke to find you gone.”
“I am well, as you see. I will finish cleaning up and be back up in a few minutes. You needn’t wait.”
In the flickering candlelight, Stephen noticed a smudge of paint on her cheek. It looked oddly endearing. He resisted the urge to wipe it away, and to stroke the plait of hair draped over her shoulder while he was at it.
Keep your distance, Overtree . . .
“Very well.” He turned, and returned to his solitary bed.
In the morning, Stephen arose early, as was his habit, and breakfasted alone. He then donned his greatcoat and slipped from the house. He walked around Bath to see something of the city, and to inquire about hiring a private chaise to take them on to Overtree Hall in a few days. Then, as he often did, he found a place to pray. He spent a peaceful half hour in the Bath Abbey, asking God for wisdom, kindness, and self-control in his relationship with his new wife. And for patience in dealing with his in-laws.
When he returned to the house late morning, he came upon Sophie and Mrs. Dupont in tense conversation in the drawing room. His defenses immediately rose, and he stepped through the door without knocking.
“Am I interrupting something?”
“Ah. Captain Overtree. I was just asking Sophie what my nephew thought of your sudden nuptials. Did you not think to ask his permission?”
“No,” he answered without hesitation.
“I realize he is young. But he was Sophie’s nearest male relation in Lynmouth. Did you honestly not even consider asking him?”
Stephen pursed his lips and peered upward as though in serious thought. “I remember that I considered throttling him at one point, but asking his permission?” He shook his head. “Not once.”
Apparently, he should have prayed harder.
Sophie glanced up and gave him a secret smile.
He guessed her stepmother would likely retaliate with more hurtful barbs later. But for the moment he relished the minor victory, and Sophie’s lovely smile.
Sophie had been embarrassed by the meager dinner their first night in Bath. A man the size of the captain was no doubt used to eating heartier meals. He’d said nothing however, though she’d thought she heard his stomach growl when he’d lain down on the cushions. How odd it had been to share her and her stepsisters’ bedchamber with a man—and a veritable stranger in the bargain.
The dinner fare their second night was thankfully more satisfying—though the same could not be said for the conversation.
“When my girls are a little older, they shall have music lessons,” Mrs. Dupont said as they finished their pudding. “Learn to sing and play the pianoforte or harp. Fine needlework too. And French, perhaps. All the accomplishments. Poor Sophie never had the opportunity. Her father let her potter about with his paints and tag along in his studio for hours on end when she ought to have been learning or doing something useful. She helps with the mending, when I ask, though she is not a dab-hand with anything finer. She speaks some Dutch and Italian, though to what advantage I don’t know. She is good with the children, I own. But now . . .”
She halted her litany and asked, “Where will she live when you rejoin your regiment, Captain? We haven’t much room here, but this is her home, and she is helpful, in her way. . . .”
The captain’s eyes glinted. “I am afraid that will not be possible, ma’am. My wife and I journey to Overtree Hall next to meet my family. Sophie is a married woman now. Certainly you can appreciate that she will no longer have the time to spend on your mending and child-minding.”
He smiled and continued on casually, “And who knows? Lord willing, she may have her own children one day. Have I mentioned twins run in the Overtree family? You will have no trouble accommodating us all, I trust?”
Sophie pressed her lips together to keep from protesting. Or laughing.
Mrs. Dupont blanched. “Here? Heavens no. Sophie is always welcome, of course. But we have our hands—and rooms—full as it is.”
“Then how fortunate that there is plenty of room for us at Overtree Hall. In fact, we shall depart tomorrow.”
“So soon?” Mr. Dupont asked, brows high.
Sophie was surprised as well.
“I am afraid so. I must rejoin my regiment in less than a week now, and want to have time to introduce Sophie to my family and to familiarize her with the estate and parish. You understand.”
“Of . . . course.”
Sophie spoke up, “I’m sorry, Papa, if I am leaving you in the lurch. If you need me in the studio, perhaps after Captain Overtree leaves to rejoin his regiment, I might—”
“Your father doesn’t need you, Sophie,” Mrs. Dupont retorted. “What a high opinion we have of ourselves. He is perfectly capable on his own. After all, he was a renowned portrait painter while you were still in pinafores. Is that not right, my dear?”
Mr. Dupont hesitated. “Well, of course. But Sophie has always been a help to me. Preparing paints and canvases and whatnot.”
Captain Overtree began to protest, “She does far more—”
Sophie squeezed his hand beneath the table to forestall him.
“And I have been happy to do so, Papa. But as Mrs. Dupont says, you don’t need me. And besides, you have Maurice now. My place is with . . . my husband.”
“But thank you for understanding and for hosting us,” the captain added, keeping hold of her hand as he rose. “We shall trouble you no longer.”
He led her from the dining parlour and started toward their bedchamber, but Sophie tugged his hand in the opposite direction, down a quiet passage. She paused before a painting of her mother from when she was young, with fair hair, a broad forehead, button nose, and blue-green eyes.
“I wanted you to see this. My mother, right before she married Papa.”
“She’s beautiful.”
“Yes.”
“You look like her. Did your father paint this?”
“No. Look at her eyes . . . A Dutch painter you would not have heard of.”
He looked at her instead. “How do you stand to hear your stepmother belittle your contributions and abilities?”
She shrugged. “It’s nothing really. She’s right. My help is trivial. I am a dabbler—that’s all. Papa is the real artist.”
He shook his head. “Your father takes you for granted.”
“Please don’t speak poorly of Papa. I love my stepsiblings, of course, but really . . . Papa is the only family I have.”
He held her gaze and pressed her hand. “Not anymore.”
Sophie’s heart warmed, but she looked away from his earnest gaze. “Come. The girls will be up soon and want their story.”
Reaching the bedchamber, Sophie saw the girls had not yet arrived. She rang for the maid and ducked into the dressing closet, taking down her hair and plaiting it herself while she waited. The housemaid appeared and helped her undress, then stayed to tidy up the tiny room and hang up Sophie’s things.
Sophie stepped out alone and saw Captain Overtree’s bare back as he pulled his shirt over his head. The muscles in his arms and shoulders rippled as he did so, and his back was smooth and taut. He turned at the sound of the door, and her gaze was drawn to his chest—masculine muscles, coarse hair, and a scar running shoulder to chest.
“Sorry,” he said. “I thought I had time to change before you returned.”
Sophie swallowed. “No, I’m sorry. That is . . . I . . . finished early.”
She averted her eyes, and he quickly pulled his nightshirt over his head. She wanted to ask about the scar but feared raising a painful subject.
The door banged open and the girls flew in, jumping into bed as usual. “Tell us one of your magic paintbrush stories, Sophie.”
“Oh yes, do!”
Captain Overtree raised his brows. “What, pray, is a magic paintbrush story?”
Lyddie supplied, “We tell Sophie what to paint with her magic paintbrush, and whatever we say comes to life, and she tells us a story about it.”
“Sophie makes them up as she goes,” Sophie said modestly. “And some of them are very poor indeed.”
“Not poor. We like them. Don’t we, Martha?”
Martha nodded vigorously, curls bouncing.
“I don’t know that I should. Your Mamma wants us to be quiet.”
“We’ll be quiet. Please!”
“Mrs. Overtree,” the captain said, sitting cross-legged on the cushions. “I for one would enjoy hearing such a story.”
Sophie felt her cheeks warm to hear him call her by that title.